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Kurt bought some Japanese made Stratocasters as they were the most readily available left-handed models.
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This was to fund the recording process but also to allow the band to purchase some new equipment to use in the studio.
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In the run-up to Nevermind, Geffen Records gave Nirvana an advance of $287,000. 12-string Harmony Stella (purchased by Cobain from a pawn shop for $31.21 in 1990 and strung with 5 nylon guitar strings, barely staying in tune – used for Polly and Something In The Way).1990 Fender Stratocasters (Japanese Models – usually smashed by Cobain at the end of a concert).For the Nevermind era it’s use was minimal. It became a much bigger part of the rig on the In Utero tour. The Big Muff was used on the Nevermind album with the Fender Bassman for the heavy parts in the song Lithium, however it was not a core part of Kurt’s tone in this era. This was also used on the pre-chorus of Smells Like Teen Spirit. The swirling modulation of the Small Clone gives the intro guitar to this track a very distinct and moody sound. The EHX Small Clone is a chorus pedal that Kurt used on the famous, watery intro to Come As You Are.
#GRUNGE GUITAR RIG PRESETS MODS#
Many mods exist to bring modern DS-1 pedals back to the old spec. At some point in the manufacturing, the internal chip was changed which resulted in the pedals having a different sound. The modern DS-1 pedals are not identical to those that Kurt used. This cutting tone became a signature part of Cobain’s wall of sound. The DS-1 is a harsher style clipping than a standard amp overdrive or other overdrive style pedal. The DS-1 was considered the main factor in Kurt’s tone in this era.